Final Work
I've presented here a wide assortment that reflects many experiments and my personal explorations with the various techniques we've learned this term.Lumens
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| Borage original negative; salvaged light-leaked Ilford HP5 |
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| Borage lumens on 4x5 film, enlarged on Ilford Glossy |
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| lumens print, no pressing |
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| Birch original negative; Ilford HP4+ |
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| Birch 4x5 exposure, lumens printed in during film development |
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| Brassica lumens print on salvaged paper |
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| Blackberry lumens print |
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| Garden Nightshade lumens print on color paper, thoroughly washed and fixed |
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| Dandelion lumens print on Ilford FB Glossy, aggressively selenium toned |
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| Anenome lumens print |
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| Nereis in Petri chemogram/lumens print on color paper |
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| Contact Nereis contact lumens/chemogram print on color paper, washed and fixed |
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| Lamiate Flower Cluster film lumens (above), standard processing, unknown salvaged film enlargements (below) printed using chemical investigation |
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| Shamrock (negative) film lumens, standard processing, unknown salvaged film |
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| Shamrock (positive/inverted) lumens on unknown salvaged film (above) printed using mechanical investigation (below) |
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| Agate film lumens, standard processing, salvaged film of unknown brand |
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| Birch Leaf film lumens, standard processing, unknown salvaged film |
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| Horse Chestnut Flower film lumens, standard processing, unknown salvaged film |
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| Lamiate Flower film lumens, standard processing, unknown salvaged film |
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| Maple Leaf film lumens, standard processing, unknown salvaged film |
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| Distorted Maple Leaf film lumens, standard processing, Kodak T-Max 100 |
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| Distorted Horse Chestnut Flower film lumens, standard processing, Kodak T-Max 100 |
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| Leaf Cluster film lumens, standard processing, unknown salvaged film |
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| Tiny Flower film lumens, standard processing, unknown salvaged film |
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| Grass 1 film lumens, standard processing, unknown salvaged film |
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| Grass 2 film lumens, standard processing, unknown salvaged film |
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| Sprout 1 film lumens, standard processing, unknown salvaged film |
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| Sprout 2 film lumens, standard processing, unknown salvaged film |
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| Shining Geranium film lumens, standard processing, unknown salvaged film |
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| Arrow Leaf film lumens, standard processing, unknown salvaged film |
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| Dill film lumens, standard processing, salvaged Ilford HP5 |
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| Ginkgo film lumens, standard processing, salvaged Ilford HP5 |
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| Nasturtium film lumens, standard processing, salvaged Ilford HP5 |
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| Shinjiku film lumens, standard processing, salvaged Ilford HP5 |
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| Calendula film lumens, standard processing, salvaged Ilford HP5 |
Cyanotype
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| "Anagram of Santa" cyanotype contact print |
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| 140# hot-press Lanaquarelle, acid-free |
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| 140# hot-press Lanaquarelle, acid-free |
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| 140# hot-press watercolor paper, with acid contamination |
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| 140# hot-press watercolor paper, with acid contamination |
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| Floral Photogram Assortment cyanotype |
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| Nasturtium cyanotype photogram with color transfer |
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| Tomatillo Branch cyanotype photogram |
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| CyanoLamp |
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| CyanoLamp |
Van Dyke Brown
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| 140# hot-press Lanaquarelle, acid-free |
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| 140# hot-press watercolor paper, with acid contamination |
Salted Silver Paper
Wet Plate Collodion
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| Ghost on Glass negative ambrotype via 35mm enlargement |
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| Cryographic Tintype Cryogram technique on wet collodion plate |
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| Pseudotsuga tintype kodachrome enlargement |
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| Damaged (negative) collodion on glass |
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| Damaged (Positive) collodion on glass |
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| positive/negative collection title collodion on glass |
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| positive/negative collection collodion on glass, white and black mount sheets |
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| Collodion Assemblage positive on white enlarges to negative created from negative |
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| Collodion Assemblage Positive on Black enlarges to positive created by positive |
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| Collodion Selfie (inverted) in-camera collodion print, inverted to represent how it would act in an enlarger |
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| Burning |
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| Highly Offended Skeleton silver gelatin paper contact print |

















































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